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Description:Share this article Share 'Physical beauty is a disgrace,' she once said in her characteristic rasp, her voice redolent with the French cigarettes she constantly smoked. Moreau, who was still making films at 87, was found dead at her home in Paris early Monday, the district's mayor told AFP she is pictured with Brigitte Bardot in Viva Maria Having racked up over films over six decades, she continued acting late in life, appearing on stage at the Avignon festival in , and in on screen in Ilmar Raag's 'An Estonian in Paris' and Manoel de Oliveira's 'Gebo and the Shadow' Once described by US director Orson Welles as 'the best actress in the world', she was also a trailblazer for liberated women Born in Paris to an English-born chorus girl and a French restaurant owner, she took to acting with apparent effortless ease Leading tributes to the plain-speaking actress, French President Emmanuel Macron said Moreau had 'embodied cinema' and she was a free spirit who 'always rebelled against the established order'. It was that sparky rebel spirit that also had some of the world's greatest directors beating a path to her door, including Welles for his 'Chimes at Midnight', Michelangelo Antonioni for 'La Notte' and Luis Bunuel for his film 'Diary of a Chambermaid'. Born in Paris to an English-born chorus girl and a French restaurant owner, she took to acting with apparent effortless ease, defying her father's wishes by joining the Paris conservatoire at the age of 18, and gaining entry to the elite Comedie Francaise theatre troupe two years later. She played a criminal in 'Lift to the Scaffold' with its jazz score by Miles Davis, and further ruffled feathers in 'The Lovers', her first excursion into the sexual frankness that marked much of her later work.
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